Teaching with Technology

Just another onMason weblog

Teaching with Technology

New Tools for Teaching Writing

May 12th, 2010 · No Comments · Valerie

Article #8

There are three reasons why writing is very important in the instruction of second language learners, (1) it is important for academic success, (2) it is an effective tool for the development of language proficiency, and (3) it helps learners raise their awareness about different subject matters.  Blogs have the ability to address the needs of L2 learners at a number of different levels.  The mult-medial nature of blogs exposes language learners to reading, listening, speaking, and writing.  Students need to practice communicating in the target language, so it is up to the teacher to give them such opportunities.  The 21st century has provided language teacher with” new tools for teaching writing to second language learners such as, blogs, wikis, automated writing evaluations, and open-source netbook computers” (Warschauer 3).   The interactiveness of speech and writing  in second language learning is because of online collaboration.   Blogging addresses the needs of second language learner in writing because it give them the needed sense of independence.  Students need to practice communicating in the target language, so it is up to the teacher to give them such opportunities.  Incorporating the using of blogging into there curriculum helps students “transition form a more colloquial to an academic writing style, developing a broader vocabulary, and providing them with the openness to experience different prospectives on a variety of issues. 

Wikis share in the success of the improvement in writing for second language learner.  According to Ward Cunningham the inventor of the wiki, a wiki is a piece of work that builds a community, whereas blogging produces a piece of work (Warschauer 4).  Even though wikis are  suitable for collaborative work they are also a “powerful digital tool for collaborative writing” (Warschauer 5).  Studies show that there is an increase in the quantity of writing by second language learner because of the collaborative writing environment that wikis provide.

Automated writing evaluation (AWE) are also quite successful in the teaching of writing.   AWE has been critized, but reseach suggests that the “impact of such software depends to a large extent on how it is used” (Warschauer 5).  The power of technology is relations to second language teaching is only as good as the problem it is as to address.  With this type of software, teachers are able to address the issues of students with the most needs.  This type of software “increases the amount of instructor feedback” students can receive.

“The use of technology for teaching writing is most effective when students have daily access to an individual computer” (Warschauer 5).  The introduction of the low weight laptops has also increased the writing ability of second language learners.  Teachers provide more feedback from teachers with the use of laptops.

The development of new technologies helps language learners navigate successfully in the collaborative environments of the 21st century.  Blogs and wikis opened the door for a new method of online collaboration that helps the language learner to become independent and confident.  These type environments encourage student ownership and responsibility in the learning process.  Nonetheless, the teacher must continue to encourage the student to be creative  in order for the student to produce meaningful writing materials.

Tags:

CwBraun (Journal#8) Blended Learning: E-learning vs Traditional Learning Mechanisms

May 11th, 2010 · No Comments · Uncategorized

globe_174943_m

In this final article on Geography in Higher Education the discussion centers around a blended learning first year geography course. A study at the University of Auckland, New Zealand, looked at how e-learning has affected learning behavior; why certain e-learning elements were more successful than others and how Information & Communications Technologies were recognized to complement learning. Blended learning combines a mixture of traditional classroom instruction with e-learning where classes are given on campus. A survey conducted over a two year period, focused on first year geography students and found that traditional lectures were still preferred over e-learning because of the “extra detail given in class by the instructor as well as the ability to identify nuances in course content”. The same results occurred concerning if they had a choice between attending tutorials in class, or online. Additionally, the ability of the lecturer/instructor was critical to the value of attending the lecture for obvious reasons including that some instructors are both more popular with students as well as perceived as just better at getting the information across. Answers to follow-on questions reversed the trend towards the popularity of the traditional classroom and showed increased support for e-learning because it provides greater choices to student who had to juggle study, work, family, and personal activities. The students were definitely more comfortable researching, conducting and submitting work on line after completing a blended course. Also looked at were ways of communication between instructors and students outside of class hours. Text messaging between the two parties, although offered was not utilized in the end due to the fact that it was perceived as “to personal”, meaning that texting was used for close personal relationships not with a professor or, that it was too informal a way to communicate with a professor. The use of email fared better because of the ability to better express ones thoughts and opinions in a larger format. The report summarized the findings on how blended learning caters to a range of learning styles or expectations. First, traditional lectures and face-2-face personal contact is still the preferred method to learning, however, students appreciate the choices in flexibility offered in a blended classroom setting. Second, the range of options available is starting to alter the way students view the learning environment given the variety of e-learning tools and technology that is available. Third, students are learning about what is an acceptable form of social construct surrounding the use of technology; how prior experience plays in their decision on technology use or simply if it doesn’t meet basic needs or is too informal. All in all, I believe the article solidified what we learned in CTCH 603 and supported what most of us came to as a conclusion regarding e-learning… a little is good, a lot doesn’t always work.

Tags:

Music On the Fly…Or In The Car…Or At The Beach

May 6th, 2010 · 2 Comments · Kim, Uncategorized

Music On the Fly…Or In the Car…Or At the Beach
Technology To Keep Skills Sharp Over Summer Breaks

Most students these days own some kind of pocket music player such as an iPhone or an ipod. I own an ipod, but have not explored the device fully yet. In the last few weeks, I decided to go on a “tech” adventure and found some valuable musical “Apps” which can be very helpful for students’ learning. Educational technology is ubiquitous and it is ready to serve people in anywhere at any time. This article focuses on the importance of using high technological gadgets in music education and introduces various applications of mobile communications devices. The author claims that these educational tools can help students stay connected to keep their musical skills sharp over summer break.

For Listening
www.pardora.com
It is a free music streaming service for Classical music listeners. You can create “stations” with your favorite composers, artists, genres and the like, and Pandora will stream music that matches your criteria. Although most users listen to Pandora from their computers, there are also versions for iphone, as wells as for the Android and Windows Mobile operating systems.

For Everyday Practice:
• Metronome by GLP Software, FREE
With this app, your iPhone screen turns into a classic Wittner-style metronome. You can pay for more sophisticated apps, but this one will suit most musicians.

• Cleartune-Chromatic Tuner by Matthew Finn, $3,99
For the non-pianist readers, this can be very useful. There are other free tuners available, but
Cleartune has the advantage of “listening” with great accuracy.

• iProRecorder by BIAS, Inc., $4.99
This is a very sophisticated audio recording application.

• Nota by Melvin Rivera, $4.99
This handy theory reference booklet for chords, scales, notes, key signatures, and the like includes simple quizzes, and keyboard and staff view options-

For MIDI Gurus:
• ¡TM MIDILab by Silicon Studios,
FREE This turns your iPhone into a MIDI controller that can send MIDI to any application on your computer over a wireless network. It includes an onscreen keyboard for input. This is a great tool for class piano or theory teachers who want to be able to walk around the room while still demonstrating notes on the screen.

• RJDJ by Reality Jockey, FREE
This app translates everything that happens on your iPhone (calls, texts, button pushes, ambient noise around you) into prescribed bits of electronic music, creating a veryavant-garde soundtrack to your day.

• Bloom by Opal Limited, $3,99
Created by New Age guru Brian Eno,
Bloom gives users a simple set of parameters to create atmospheric soundscapes, It’s both fun and mesmerizing-

• Oisklavier Controller by Yamaha,
FREE
By connecting an iPhone or iPod touch to your Disklavier’s wireless network, you’ll be able to control many of the basic functions of the Disklavier Mark IV.

Computer Technology
www.musiclearningcommunity.com
The websites offers hundreds of single concept music games for every level.
A teacher membership ($19.95 per month) covers up to 50 login names for students and
includes score tracking.

For Student Teachers
Dallas Symphony’s DSOkids.com
Morton Subotnik’sCreatingMusic.com.

For serious research (free for University students subscribers via University library system)
OxfordMusicOnline.com includes access to the complete Grove Music Online, as well as other Oxford music reference titles, including The Oxford Companion to Music and The Oxford
Dictionary of Music.

Free for Everyone
Virginia Tech Multimedia Music Dictionary
www.music.vt.edu/musicdictionary

Online Music Courses
Berklee College of Music.
www.jazzpianolessons.com
Indiana University.

Scores to Go
www.imslp.org

Tip for reading PDF scores:
A programmable USB foot switch (such as the AirTurn wireless pedal system) for your computer, and you can use it to turn the pages! If you are ready to jump over to the MIDI world, your scores can become both portable and interactive. First of all, if a piece is available in MIDI format,
it can be read as a score in TimeWarp Technologies’ Home Concert Xtreme score following software ($99 at www.timewarptech.com).
Since most methods include MIDI files in their catalogs, you should be able to find most of what your younger students are playing. For more advanced musicians, lots of standard repertoire is
available in MIDI format at wvwv.ClassicalArchives.com.
Home Concert Xtreme displays any MIDI file as a printed page on your computer screen, and when connected to a MIDI keyboard, it intelligently turns pages at the right time and coordinates accompaniment speed as you play.

Go The Distance
When live interaction is required, you might explore some distance learning alternatives.
Many students make recordings on cell phones and teachers can require students to submit recordings periodically. Video clips are easy to send via e-mail or even as a message on a cell phone. If you want to stick with pure audio recording, you might consider simple computer software such as Audacity (www.audacity.sourceforge.net) or a high quality pocket audio recorder such as Yamaha’s PockeTrak. Barely bigger than a USB flash drive, it has a built-in microphone and a flip-out USB plug that makes transferring files very easy.

Video-conferencing software
iChat and Skype
Internet MID! ($69, www.timewarptech.com),
It transmits information between two MIDI keyboards over the Internet. This simple tool lets users connect with a buddy-list-like system that requires very little setup or technical know-how.

Shana Kirk (2009). Music On the Fly…Or In the Car…Or At the Beach  Technology To Keep Skills Sharp Over

                                        Summer Breaks, American Music Teachers, April/May 2010

Tags:

Crossing borders: issues in music technology education

May 3rd, 2010 · No Comments · Ted

Crossing borders: issues in music technology education

Teddy’s Reading Log 05.03.2010

For class session 05.05.2010

This paper discloses the results of the course creation team responsible for the development and planning of the UK Open University course TA225 (The Technology of Music) and its advanced version TA212. In this effort, members of the faculty attempted to create new music technology courses that contained attributes that were applicable within an interdisciplinary context. It is evident after reading the article, that great difficulties existed in methodologies and pedagogies to determine the critical aspects of each course. Instead of producing educational opportunities for students of diverse backgrounds, these educators became entrapped by the quick sands of their own special areas of discipline.

TA225 was a level-2, 30 CAT-points course, corresponding to approximately 300 hours of part-time study spread over 9 months as a quarter of the yearly study load in a full-time system. The course was based on a tripartite block structure. The first block covered the basics in acoustics, psychoacoustics and music theory. The second block examined musical instruments including voice and electronic instruments, and the third dealing with sound recording and processing with particular focus on desktop sound processing and MIDI. Also, it included some coverage of topical issues such as intellectual property. TA212, on the other hand, is a full-blown 60-point course (600 hours of part-time study over 9 months) and incorporates the core materials developed for TA225 into a five-block structure. Production issues were group in three categories: (1) background knowledge, (2) repertoire of technologies and (3) repertoire of music.

 In conclusion, this article suggests many ways in which several disciplines can be presented for course development and in course materials. The crucial factor that influences the need to carefully map out and refine the contents of music technology courses may depend more on professional and institutional allegiances than on our desire to increase student learning. If this be the case, integrated course development will surely be slow to becoming the norm and our students the victims of educated stupidity!  

 Retrieved from: http://web.ebscohost.com.mutex.gmu.edu/ehost/pdfviewer/pdfviewer?vid=4&hid=12&sid=064f76df-fa1e-473c-9769-f865d4a53859%40sessionmgr4

Tags:

Resources for Electronic Portfolios

May 3rd, 2010 · No Comments · Jennifer

Hi everyone,

I came across this site on Resources for Electronic E-Portfolios . It offers a variety of sources on e-portfolios from interactive sites, conferences, papers, lectures, and on-line videos. 

Also, the author makes a unique comparison between e-portfolios and digital stories to promote deep learning.  Linking two dynamic process [digital storytelling and electronic portfolios] to promote deep learning (visual chart).

Tags:

CwBraun (Journal #7): Geography’s Place in Higher Education in the United States

April 30th, 2010 · No Comments · Chris

globe-world-maps-1599352-l

In these final two articles about Geography in Higher Education, we will take a look at recent growth of the subject of Geography in educational institutions, as well as social and institutional influences that effect how geography is taught as a discipline. When taking a look at world events and the ever increasing level of connectivity between nations, people, and education, it is easy to understand why there is a heightened interest in geographical issues as well as an expanding awareness of geo-spatial information. Ground breaking ideas in the global search for energy, the ability to monitor climate change, the devastatingly effects of natural disasters, territorial disputes and globalization makes us more aware of how we fit spatially in our environment. Each of these examples focus on geographical concerns: human/environment interface, difference in both physical and human existence from place to place, and the analysis that accompanies each. For the simple reason that we live in an ever shrinking world with increased tensions as well as the effect other countries have on the United States such as terrorism, religion and economics, it is easy to understand that – Geography matters. As discussed in my previous articles, the development and recent advances in GIS has helped the advancement of Geography in U.S. institutions. The new revolution of how data is gathered, analyzed, stored, disseminated, and displayed has made GIS an indispensible tool for a huge population of users, analysts and practitioners in all subject areas. In the first half of this century, Geography as a subject did not fare well in the U. S. with top schools such as Harvard closing its doors on the Geography Department in 1949. This article describes some of these reasons why Geography declined as a course of study on many Universities across the country: Early twentieth century trend toward isolationism, the growing global economy that provided an idea that differences among places would become irrelevant, and the growing separation of the physical and social sciences in universities where Geography was seen as being caught in between two disciplines. Key to Geography’s growth is the challenge to build bridges between departments within Geography itself and between other disciplines of Science and Social Sciences.

Tags:

Recorded Music: Philosophical and Critical Reflections

April 28th, 2010 · No Comments · Ted

Teddy’s CTCH603 Reading Log 04.28.2010

For class session 04.28.2010

This article by M. Dogantan-Dack reviews issues concerning recorded music. Namely rock, jazz, classical, electroacoustic and non-Western genres. Several perspectives are stated within the context of these reflections. Many of the opinions are based on the relationships between recordings and musical works. Several themes emerge as the authors describe and explain critical points using examples.

 According to the author, Kania provides a useful framework, which he describes, implications for musicology. He recognizes the dependence of classical music and jazz on live performances, however, he argues that rock music is more so a recorded-based art form that relies on music studio technology. Furthermore, Kania states that jazz does not have fixed musical works and therefore, its recordings are approached differently.

On the other hand, Frith comments that live improvisations are not considered works and are not expected to have the same qualities as notated compositions. Nevertheless, he believes that they aspire to what he terms as “work status”. I too believe that not all compositions are in a box. There are many outside of the box waiting to take shape and enlighten us. Kania’s perspectives do not allow for impromptu creativity and fails to encourage musical growth.

Next, Symes explores the idea of forgeries and copies in relation to musical recordings and engages the reader on ethical issues concerning the use of recording technology.  Gyrack talks about making distinction between live and studio recordings as well as recordings that exploit the available recording technology to produce a recording atefact that cannot be reproduced on the stage for live purposes. This is terribly true concerning much of today’s pop-music culture. Due the lack of musical creation skills much of today’s music is produced and performed by non-musically endowed individuals. In fact, I consider them poets lost in poorly construct musical structures! This has left an enormous void in the music industry. Moreover, it has diminished in many ways our ability to recognize music that demands talented performers and workmanship.

Giggs and Dack go on to investigate the role of the recording process and the creation of space in music. Echard emphasizes the need for scoring music to obtain its intended interpretations through live performances. Trezise speaks to the issue of our ability to become naive listeners that assume the same listening approach to studio recordings and live performances. Rumsey points out our lack of concern as listeners for high fidelity recordings. Benson lectures on the content of jazz licks and the listener. Krebs is concerned about the specifics of recording technology and its use by electroacoustic comp0sers. Gritten and Dogantan-Dack examine how recording affect performers and lastly, Reigle encourages the use of ethnomusicological practice.

In conclusion, the text is an integration of material that presents a full spectrum of perspectives that would surely excite future arts-based researchers. I believe this new horizon is the framework for more investigation that could result in going public on more innovative projects. Thanks to technical developments we are able to gain more in depth insight concerning the philosophical and critical aspects of studio-based and live performances. 

Tags:

Teddy’s Teaching with Technology Philosophy

April 28th, 2010 · No Comments · teaching & learning, Ted

My Teaching with Technology Philosophy

I believe that learning is a two-way street. In both directions, there are cars traveling to distinct destinations. Road signs are well placed to instruct these vehicles as to how they should navigate successfully and arrive at their final end points. Metaphorically, the cars represent the students seeking directions and the road signs are the teachers guiding them. In any series of well-planned activities there will be unpredictable moments as a result of unforeseen variables. Teachers and students must be flexible and collaborate in traditional and non-traditional learning environments to achieve deep learning as they acquire logical outcomes through research and analysis.

The Teacher’s Role

Think of yourself as the sun having other heavenly bodies revolving around it. It is your light that shines and provides warmth to the planets circling within their separate frequencies around you. Our students come from many differing cultures with various beliefs and learning styles. Our goal is to engage students and meet there needs using various pedagogical and methodological approaches. Therefore, we must as faculty facilitate technology integration into our classrooms to enhance student learning. The availability of blogs, online tutorials, reflection journals, web-based articles, research journals, databases and other new technologies presents unlimited pathways to move students to advanced levels of creative and critical thinking. Keeping them warm is keeping them engaged!

The Student’s Role

It would be wonderful if all students were self-motivated, however, more than likely there will always be de-motivated individuals.  As teachers we must assist students in finding areas of learning that they are passionate about. This may require one to one conversation and personal assistance. Once students reach a comfort zone they will desire to work on their own, seeking some feedback from the instructor from time to time. Students must learn to develop a level of confidence that will allow them to freely ask questions. We must assist students in the process of constantly building their self-efficacy. Students must take responsibility to explore independently and in group learning experiences outside of the classroom. Also they must acquire good time-management skills as an important practice of the learner’s success. Participants must complete assigned tasks outside of the classroom and be prepared to present questions of inquiry that can help students to learn more deeply.

The Finale!

Finally, I believe that teachers and students collaboratively learn more deeply through technology integration in the classroom.  Technology brings raised levels of expectation, vigor and excitement to the learning environment. Students are highly motivated to independently complete projects that possess a commercial quality. Students learn as they build on existing data and gain proficiency in their current skill sets. Through meta-cognitive research and observational research methods we can see how teaching with technology can greatly enhance student learning in the classroom.  

 

Teddy Ferguson, Educator

Tags:

Some features of children’s composing in a computer-based environment: the influence of age, task familiarity and formal instrumental music instruction

April 27th, 2010 · No Comments · Jennifer

 This study investigated children’s processes of composing short melodies using a software application.  The investigation focused on the relationship between three background variables as related to the behaviors of children as they composed the melodies.  These variables included age, task familiarity, and formal instrumental music tuition.  Results showed age and formal instrumental tuition to have the most effect on children’s behavior.  Older students (ages 9-10) demonstrated a higher level of speed and efficiency in using the software application, which made it easier for them to create more significant melodies.  Similarly, students engaged in formal instrumental music tuition had more tools and ideas for creating more interesting and elaborate melodies. 

 The investigation explored the various software functions the student’s used as they composed.  Three areas were explored:  (1) use of discrete functions; (2) use of process functions; and, (3) use of evaluative functions.  The use of discrete functions relayed information about how students put together melodic sequences.  Seven separate elements were accounted for in this process, including:  (1) relative frequency of the ‘Add note’ function; (2) relative frequency of the ‘Delete note’ function; (3) hear note; (4) try note in melody; (5) play melody; (6) reject melody; and, (7) delete melody.  The use of these functions was translated into an analysis of the efficiency in creating a composition and the flexibility and creativity used in the student’s thought process.  The frequency of the functions demonstrated a range from more systematic composing to more free-hand composing. 

 The use of process functions provided information about how student’s interacted with their melody and built it beyond a series of seemingly unrelated notes.  At this stage, students made more specific decisions about the shape and progression of their melodies.  The use of evaluative functions provided insight into how students responded once they heard their final products.  This analysis provided information about student’s critical skills, which was linked to the level and extent of formal instrumental music tuition. 

 While this article makes connections within the creative process, it does not link those connections to the creative product.  It would have been interesting to analyze the musical quality or melodic significance of the final composition as compared with the functions the students used and the behaviors they demonstrated throughout the creative process.  This insight might be useful in tailoring similar software applications to the various dimensions of thinking, which include creative, practical, and critical thinking skills. 

 Hewitt, A. (2009).  Some features of children’s composing in a computer-based environment: the influence of age, task familiarity and formal instrumental music instruction.  Journal of Music, Technology, and Education(2)1, p. 5-24.  doi: 10.1386/jmte.2.1.5/1.

Tags:

Marketing Debates: In the Classroom and Online

April 26th, 2010 · 1 Comment · Uncategorized

Kathryn F. Winsted

Marketing Education Review (spring 2010)

This was about as flimsy of a Journal Article as I have ever read, however it does have a point of view and an online project approach that is defensible. With the need to engage students in learning while keeping them “entertained” she surmises, as have many teachers, that the “chalk and talk” of lecture is no longer enough to keep their attention. She adds that the “prevailing philosophy in teaching today is that faculty should be doing more facilitating of learning than imparting knowledge.”  While students expect to actively participate the benefit of this involvement can lead to “increased understanding and retention” (Wolfe & Luethge 2003).  An interactive discussion can lead to a higher order of learning.

The author uses debate as her forum to engage the students and aid in a more in-depth academic experience. She includes the forum in both traditional and on line classes, using much the same application. She feels debate provide a number of elements that help achieve a higher level of learning and that the practice of “argument” is a career skill.

Although the guidelines are similar for each “location”, there are some unique to the online:

  • She emphasizes the importance of picking a topic with clear opposing sides and assigning students to a side randomly. Students must also take extreme positions so they can more strongly support their arguments.
  • In order to keep the debates manageable online the class is divided into groups of 4 to 6 people-half of each assigned to a position. A discussion board is uses for posting
  • Students must respond to one other persons post before making a new point
  • If there are not enough post challenges, she will add a question
  • Debates conclude after 6-10 days upon which students can submit their actual position
  • Professor can grade easily as there is a trail of information-feedback is also provided

Case selection is important, as you do not want something whose results are to well known. Searching the topic’s prior to assigning them will also provide an idea of the information the students will find as they begin to research. It’s also important to provide the “ending” as students like to know what “really happened.”

In her experience students come to class better prepared, post “more frequently and more eloquently” when in a debate and tend to get “highly involved” in the subject, all outcomes one hopes to achieve.  While she focuses on marketing cases, it seems a debate can be an easily adapted tool for many classes. I would also venture that an online debate could take place as an assignment for a traditional class-with the “results” being reviewed in a live forum.  Whatever the format, it does appear that the students are more engaged when debating and therefore tend to retain more and learn at a deeper level, goals of most educators.

Tags: